Basler Jahrbuch für Historische Musikpraxis 38 · 2014

REWORKINGS - Musical Re-Elaboration and Cultural Context herausgegeben von Pedro Memelsdorff

Inhaltsverzeichnis

Pedro Memelsdorff: Reworking ideas on Reworkings. Reflections on a 2014 Symposium
A ndrew Hopkins: Reworkings: From the Basilica to the Biennale
Marco Rosa Salva: Riducendo la maggior parte dell’arie dell’opera in canzon da battello. Examples of aria transformations in a 18th-century Venetian music manuscript and its related sources
João Pedro d’Alvarenga: Allo stile dei musici di questa nazione: Balancing the Old and New in Portuguese Church Music from the 1720s and 1730s
Johannes Menke: Reworking Carissimi: Händels Bearbeitung des Schlusschores aus Jephte im Oratorium Samson
Nicola Usula: From Jason to Jason: Cavalli Reworked by Stradella (Venice 1649 – Rome 1671)
Jeffrey Chipps Smith: Staging Faith in South Germany: The Triumphal Reworking of Catholic Devotional Spaces around 1600
Alexander J. Fisher: Reworking the Confessional Soundscape in the German Counter-Reformation
Sylvia Huot: Monster, Lover, Poet, Saracen: Polyphemus in Late Medieval French Literature
Felix Diergarten: „Vient a point ton bordon“. Art-Song Reworking im Codex Ivrea
Anna Zayaruznaya: Evidence of Reworkings in Ars nova Motets
Katelijne Schiltz: Tradition – Novelty – Renewal. The Presence of the Past in 20th-Century Music

Zusammenarbeit in Forschung und Dienstleistungen

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