Jamie Allen (he/him 🇨🇦) is an artist-researcher and organizer occupied with the resonances between metabolisms, ecologies, technologies, infrastructures, and institutions. He makes experiments and research, writing and media, material artworks and events, encounters and workshops, talks and platforms for publishing and public-making.

He is always seeking experimental, cooperative projects, situations, people and activities that acknowledge love, friendship and reciprocity as part of creative knowledge practices in art, media and research. Interested in open, experimental, empathetic and generous collaborative constellations. His activities intend actual and imagined, technological and metabolic, institutional and artistic modulations of energy, matter and information.

Artist, researcher, designer, media-maker, organizer, teacher, writer. From the southernmost, industrial part of 'Canada' (the part that doesn’t look like most people think Canada does). Born (white, male, settler-colonial) during an oil crisis. Early appreciation of eroding infrastructure, modes of solidarity, erosive trade agreements, civic pride, ecological tradeoffs, metabolic privilege and environmental injustice through play, media, music, art, collaboration and friendship. Fascination for material movement, planetary resource dynamics, migration and movement, institutional critique and infrastructural globalism. Media art, engineering, music, performance, community radio, poetry, compositional scores, diy spaces, interactive art, interaction design, museum design, artistic research, the right to research, extradisciplinary practice, infrastructure studies, experimental publishing, political ecology, planetary intimacy, media methods, media materialism and archeology, psychic and cultural-techniques.

Jamie Allen is occupied with how technologies and media affect psychic, social, material and natural ecologies. Most often in collaboration, he creates experimental, extra-disciplinary extra-versions, evolving as texts, events, workshops, media and physical artworks. His work engages with infrastructure, science and technology and media studies through the means of experimental art, media and design, in interaction with natural and human sciences (ecology, geology, geography, ethnography, anthropology). He likes to make things with his head and hands and in collaboration with people and institutions that acknowledge friendship and love as part of knowledge practices like art and research.

Jamie was born in Canada, lives in Europe and is a Senior Researcher at the Critical Media Lab Basel, having previously held posts as Canada Research Chair in Infrastructure, Media and Communications at the Nova Scotia College of Art and Design (NSCAD), Head of Research with the Copenhagen Institute of Interaction Design(CIID), and Assistant Director of the Culture Lab in the UK. He has degrees in chemical and electrical engineering, music composition, media arts and philosophies of communications and technology from Canada, Scotland, New York and Switzerland. He has worked as a polymer chemist, an electronics engineer and a museum designer.

The experimental, award-winning, and collaborative work in techno-culture and media arts that Jamie engages in began with early involvement in groups like Eyebeam, and through formative art and technology exhibitions like Electric Lab at Exit Art. He also initiated and organized art and technology community initiatives such as 'Wood Metal Water' in 2005 at the RedHead arts space of the Lower Manhattan Cultural Council, and contributed directly to the development of Open Source technologies like the Firmata protocol throughout the 2000s.

Dr. Allen's Ph.D. (summa cum laude, 2015) developed a materialist philosophy and techno-aesthetics of natural and technical infrastructures, and was supervised by Siegfried Zielinski and Avital Ronell. He regularly participates in international research fellowships, for example at Trent University's Traill College and the Nam June Paik Art Centre. Jamie receives grateful support for artistic production, scientific research and infrastructure from the AHRC in the UK, the SSHRC in Canada, and the Swiss National Science Foundation. Numerous arts, cultural and residency foundations and organizations such as the Canada Council of the Arts, the Danish Arts Foundation and the National Endowment for the Arts have also supported projects. His founding and early activation has helped create institutional forms as community spaces, public-making (‘publishing’) initiatives and media labs.

Jamie exhibits art and design work internationally, including ’Emergent Strategies from the Deep’ (2021) at Savvy Contemporary, ‘(Un)mutable Channels’ for The Shape of a Practice at the House of World Cultures (2020), ’The Lie Machine’ for Invisible Threads: Technology and its Discontents in Abu Dhabi (2017), ‘Echoes of Eco' at documenta14 in Athens (2017) and ’#rocks’ for the Neue National Galerie Festival of Future Nows (2014), in collaboration. Featured commissions and performances include those with the Walk&Talk Festival in the Azores in 2018, the Nikolaj Kunsthal in Copenhagen in 2016, and the transmediale festival in Berlin with the 2014 project Critical Infrastructure.

Hosting workshops in cultural and academic contexts all over the world, Jamie has taught with NYU’s Interactive Telecommunications and Museum Studies programmes, The Pratt Institute of Art & Design Department of Digital Arts, New Media Music at Hanyang University in Seoul, the Parsons School of Design and the Royal College of Art in London. His "workshop as artwork" practices take place in collaboration with institutions like the Tate Liverpool, the STEIM Studio for Electronic Instrumental Music and the Art Meets Radical Openness Festival, amongst many others. He publishes and makes media addressing topics such as the emergence of 'truth verification' technologies, the mediatization and logistification of global environments and ecologies and the racialized history of the science of ecosystems and ecology.

Jamie’s work is informed by his training in the engineering sciences and infrastructural practices that sustain, amplify, exploit and reconfigure values and desires. It asks how we can point to and repair the inequalities and disparities of knowledge and access that these systems often (re)produce. The cooperative projects and encounters he develops address institutional, infrastructural and ecological histories and change, toward 'metabolic creative practices’: material cultural ceremonies of thriving and surviving and technological rituals of trust, response-ability and ecological relation. What constellations of techno-science can we devise, together, that might heal the rifts wrought by infrastructural modernism, exploitation and messianism? Critical scholarship and studies of infrastructure, institutions and media, as well as participatory media and artistic work, circulates toward a ‘culinary cosmopolitics' that relates energy, metabolism, logistics, food and sustenance, migration, labour and community.

Jamie and collaborators are currently preparing event formats, films and media works, as well as two edited volumes: one entitled 'Geognostics: A Planetary Manual' which considers individual-planetary relations in the Anthropocene, and 'Didn't You Get the Memo?', a provocation to the creative imaginations of experimental practitioners within institutions. A monograph book project entitled "Philosophies of Infrastructure" is in the works, indexing how media and infrastructures allow or forestal particular perceptual, social, ecological and metabolic relations, imaginaries and realities. Ongoing practice projects instigate participatory and collaborative alimentary situations that address "metabolic media" and "metabolic creative practices."

Monographs

Jamie Allen. How to Build a Lie. Denver: Counterpath. City Park Jazz Series 2016; ISBN 978-1-93-3996559-2.

Edited Books

Jamie Allen und Eleonora Lupo. Representing Museum Technologies. MeLA 2012.

Articles

2023
Jamie Allen und Jeremy Bolen. What on earth is the planetary? Anthropocene Curriculum. 2023. Verfügbar unter: https://doi.org/10.26041/fhnw-4747

2022
Catherine Russell und Jamie Allen. It All Begins on the Surface. Anthropocene Curriculum. 2022. Verfügbar unter: https://doi.org/10.26041/fhnw-4506

Jamie Allen. Of Metabolic Myth. Raddar. 2022. Verfügbar unter: https://doi.org/10.26041/fhnw-4860 

Jamie Allen und Daniel Barber. Histories of White Ecologies, Gratitudes for Black Ecologies. MARCH. 2022. Nr. 2. DOI: 10.26041/fhnw-4505. Verfügbar unter: https://doi.org/10.26041/fhnw-4505 

Jamie Allen und Jonas Kellermeyer. Hustle, Grind and Sleep. The Posthumanist. 2022. Bd. 1. DOI: 10.26041/fhnw-4672. Verfügbar unter: https://doi.org/10.26041/fhnw-4672 

2021
Jamie Allen. Planetary Intimacy. Anthropocene Curriculum. 29 November 2021. Verfügbar unter: https://doi.org/10.26041/fhnw-4502

Jamie Allen und Anke Gruendel. Microreview: Dialectic Diatribes on the New European Bauhaus. SARN. 2021. DOI: 10.26041/fhnw-4731. Verfügbar unter: https://doi.org/10.26041/fhnw-4731 

Jamie Allen. Archive Earth. Ambiguous Conversations and Conversions. Roadsides. 15 April 2021. Bd. 5. DOI: 10.26034/roadsides-202100502. Verfügbar unter: https://doi.org/10.26041/fhnw-4503 

Jamie Allen und Caroline Sinders. Can Hope be Calculated? Multiplying and Dividing Carbon, before and after Corona. A Nourishing Network. 3 März 2021. Verfügbar unter: https://doi.org/10.26041/fhnw-4500 

2020
Jamie Allen, Lucie Kolb und Bernhard Garnicnig. Interviews with the Swamp Thing, the Poacher and the Healer. Passepartout. 11 Dezember 2020. Bd. 22, Nr. 40. DOI: 10.26041/fhnw-4578. Verfügbar unter: https://doi.org/10.26041/fhnw-4578 

Jamie Allen. Beyond the Media Reveal. Seismograf. 26 Juni 2020. DOI: /10.48233/seismograf2504. Verfügbar unter: https://doi.org/10.26041/fhnw-4509 

Jamie Allen und Donato Ricci. Testing Against the World. Diseña. 1 März 2020. Bd. 16. DOI: 10.7764/disena.16.12-30. Verfügbar unter: https://doi.org/10.7764/disena.16.12-30 

2019
Jamie Allen. Faith Family Farming. Anthropocene Curriculum. 11 Oktober 2019. Verfügbar unter: https://doi.org/10.26041/fhnw-4511 

Jamie Allen. Good River, Bad River, Little River, Big River. Anthropocene Curriculum. 18 September 2019. Verfügbar unter: https://doi.org/10.26041/fhnw-4508

Jamie Allen. Headwaters at the Head Waters. Anthropocene Curriculum. 29 August 2019. Verfügbar unter: https://doi.org/10.26041/fhnw-4512

Jamie Allen und Bernhard Garnicnig. Message Send Failure. A*DESK. 27 Mai 2019. DOI: 10.26041/fhnw-4580. Verfügbar unter: https://doi.org/10.26041/fhnw-4580 

2018
Jamie Allen. Sitting On Top of the World: Meridional Media, Arctic Condescension, and Northern Techniques. Anthropocene Curriculum. 30 November 2018. Verfügbar unter: https://doi.org/10.26041/fhnw-4510 

Jamie Allen. The Overgrounds and Undergrounds of Pure and Applied Science: Cosmic Collisions and Industrial Collusion. Media Theory. 2018. Bd. 2, Nr. 1. DOI: 10.26041/fhnw-4579. Verfügbar unter: https://doi.org/10.26041/fhnw-4579 

2017
Jamie Allen. The Longest Lightbulb. Continent. 2017. Bd. 6, Nr. 1. DOI: 10.26041/fhnw-4662. Verfügbar unter: https://doi.org/10.26041/fhnw-4662 

Jamie Allen. free wifi here. Continent. 2017. Bd. 7, Nr. 1. DOI: 10.26041/fhnw-4658. Verfügbar unter: https://doi.org/10.26041/fhnw-4658 

2016
Jamie Allen, Flavia Caviezel, Johannes Bruder, Moritz Greiner-Petter, Shintaro Miyazaki und Yvonne Volkart Schmidt. Impossible Escapes – Evasive Strategies, Elusive Procedures, and Evacuation Plans. Neural. Dezember 2016. Bd. 56. Verfügbar unter: http://hdl.handle.net/11654/26430 

Jamie Allen, Lital Khaikin und Isaac Linder. Acoustic Infrastructure. Continent. 2016. Bd. 5, Nr. 3. DOI: 10.26041/fhnw-4664. Verfügbar unter: https://doi.org/10.26041/fhnw-4664 

2015
Jamie Allen. The Copenhagen Invitation. Continent. 2015. Bd. 4, Nr. 2. DOI: 10.26041/fhnw-4660. Verfügbar unter: https://doi.org/10.26041/fhnw-4660 

2013
Jamie Allen. Of Minimal Materialities And Maximal Amplitudes: A Provisional Manual Of Stroboscopic Noise Performance. Leonardo Electronic Almanac. 2013. Bd. 19, Nr. 3. DOI: 10.26041/fhnw-4498. Verfügbar unter: https://doi.org/10.26041/fhnw-4498 

Jamie Allen. The Matter with Media. Artnodes. 2013. Bd. 12. DOI: 10.26041/fhnw-4566. Verfügbar unter: https://doi.org/10.26041/fhnw-4566 

Jamie Allen. Traveling at The Speed of Paik: An artist-researcher visits the Nam June Paik Art Center. Leonardo Electronic Almanac. 2013. Bd. 18, Nr. 2. DOI: 10.26041/fhnw-4497. Verfügbar unter: https://doi.org/10.26041/fhnw-4497 

2012
Jamie Allen. Cum On Feel the Noize. Continent. 2012. Bd. 2, Nr. 1. DOI: 10.26041/fhnw-4667. Verfügbar unter: https://doi.org/10.26041/fhnw-4667 

2011
Jamie Allen. Could This Be What It Looks Like? Lifelike Art and Art-and-technology Practice (I si això fos el que sembla? Art que imita la vida i pràctica artística tecnològica). Artnodes. 2011. Bd. 11. DOI: 10.26041/fhnw-4528. Verfügbar unter: https://doi.org/10.26041/fhnw-4528 

Jamie Allen. An Art and Technology of Understanding. Vice. 2011. DOI: 10.26041/fhnw-4565. Verfügbar unter: https://doi.org/10.26041/fhnw-4565 

2005
ALLEN, Jamie und John P. YOUNG, 2006. NIME 2005: New Interfaces for Musical Expression. Computer Music Journal. 2006. Bd. 30, Nr. 1. DOI: 10.26041/fhnw-4471. Verfügbar unter: https://doi.org/10.26041/fhnw-4471 

Book Contributions

2022
Jamie Allen and Louise Emily Carver. Reptile Brain. in: Anna Engelhardt (Hrsg.). Chimeras: Inventory of Synthetic Cognition. 2022. Athen: Onassis Foundation. Verfügbar unter: https://doi.org/10.26041/fhnw-4545 

Jamie Allen.  Technoaesthetics. in: Anna Engelhardt (Hrsg.). Chimeras: Inventory of Synthetic Cognition. 2022. Athen: Onassis Foundation. Verfügbar unter: https://doi.org/10.26041/fhnw-4545 

Jamie Allen. Techniques of North: Sitting on Top of the World. in: Daniela Zyman (Hrsg.). Oceans Rising: A Companion to Territorial Agency: Oceans in Transformation. 2022. London: Sternberg Press. Verfügbar unter: https://doi.org/10.26041/fhnw-4470 

2021
Jamie Allen. On the Modes of Technical Extraction in Chile. in: Ned Rossiter und Brett Neilson (Hrsg.). Logistical Worlds. Infrastructure, Software, Labor. 2021. London: Open Humanities Press. Verfügbar unter: https://doi.org/10.26041/fhnw-4469 

Jamie Allen und Louise Emily Carver. Technogenesis. in: Anna Engelhardt (Hrsg.). Chimeras: Inventory of Synthetic Cognition. 2021. Athen: Onassis Foundation. Verfügbar unter: https://doi.org/10.26041/fhnw-4501

Jamie Allen. The Earth is an Art, Like Everything Else. in: Charles Merewhether und Siegfried Zielinksi (Hrsg.). Art in the 21st Century: Reflections and Provocations. 2021. Hong Kong: Osage Publications. ISBN 978-988-77281-3-9. Verfügbar unter: https://doi.org/10.26041/fhnw-4467

Jamie Allen. What Do Proposals Propose? What Do Projects Project? In: Ina Bandixen (Hrsg.). We Will. 2021. Basel: Critical Media Lab. Verfügbar unter: https://doi.org/10.26041/fhnw-4529

2020
Jamie Allen, Merle Ibach, Michaela Büsse, Felix Gerloff, Viktor Bedö und Shintaro Miyazaki. Unmaking. Against General Applicability. in: Loes Bogers und Letizia Chiappini (Hrsg.). The Critical Makers Reader: (Un)learning Technology. 2020. Amsterdam: Institute of Network Cultures. Verfügbar unter: https://doi.org/10.26041/fhnw-4468

2019
Jamie Allen und Louise Emily Carver. Strange Exchanges. in: Jaimey Hamilton Faris (Hrsg.). Almanac for the Beyond. 2019. Honolulu: Tropic Editions. Verfügbar unter: https://doi.org/10.26041/fhnw-4548

Jamie Allen und Bernhard Garnicnig. The Art of Instituting. in: Tanya Toft Ag (Hrsg.). Digital Dynamics in Nordic Contemporary Art. 2019. Bristol: Intellect. ISBN 978-1-78320-948-4. Verfügbar unter: https://doi.org/10.26041/fhnw-4695

Jamie Allen, Bernhard Garnicnig und Lucie Kolb. Counter-conscious’ Ways of Life. in: Stephen Willats (Hrsg.). Artwork as Institution. 2019. Zürich: Brand New Life. ISBN 978-3-033-07267-l. Verfügbar unter: https://doi.org/10.26041/fhnw-4466

Jamie Allen. System-Rausch-Verhältnis. Kunst und Potenziale von Systemtheorie und Kybernetik. in: Claudia Mareis (Hrsg.). Designing Thinking: Angewandte Imagination und Kreativität um 1960. 2019. Paderborn: Brill / Fink. Verfügbar unter: https://doi.org/10.26041/fhnw-4465

2017
David Gauthier und Jamie Allen. Critical Infrastructure. in: Ryan Bishop, Kristoffer Gansing, Elvia Wilk und Jussi Parikka (Hrsg.). across & beyond: A transmediale Reader on Post-digital Practices, Concepts, and Institutions. 2017. Berlin: Sternberg Press. Verfügbar unter: https://doi.org/10.26041/fhnw-4538

Jamie Allen. It’s Probably Time to Start Lighting Things on Fire. in: Jussi Parikka, Elvia Wilk, Ryan Bishop und Kristoffer Gansing (Hrsg.). across & beyond: A transmediale Reader on Post-digital Practices, Concepts, and Institutions. 2017. Berlin: Sternberg Press. Verfügbar unter: https://doi.org/10.26041/fhnw-4544

Claudia Mareis und Jamie Allen. Media Labs – Medienlabore als gestalterische Experimentier- und Forschungsräume. in: Kirsten Langkilde (Hrsg.). Poetry of the Real. 2017. Basel: Christoph Merian Verlag. Verfügbar unter: https://doi.org/10.26041/fhnw-4577

2016
Jamie Allen, Johannes Bruder und Claudia Mareis. Why Is It So Hard To Describe Experience? Why Is It So Hard To Experience Description? in: Bruno Latour (Hrsg.). Reset Modernity! 2016. Cambridge: MIT Press. Verfügbar unter: https://doi.org/10.26041/fhnw-4463

2014
Jamie Allen, Jakob Bak und David Gauthier. Visualising Interdisciplinary Research: Algorithmic Treatment of Museum Case-study Information Sets. in: Perla Innocenti (Hrsg.). Migrating Heritage: Experiences of Cultural Networks and Cultural Dialogue in Europe. 2014. London: Routledge. Verfügbar unter: https://doi.org/10.26041/fhnw-4464

Konferenzbeiträge (Contributions to Conference Proceedings)

2021
Jamie Allen. Improvising institutions. Art & its institutional borders. in: Annika Frye und Christiane Kruse (Hrsg.). Kunst an den Rändern, Wie aus Bildern und Objekten Kunst werden kann. Berlin: De Gruyter. 25 Oktober 2021. ISBN 9783110737462. Verfügbar unter: https://doi.org/10.26041/fhnw-4000 

Jamie Allen. Infrastructural Unrest. in: POM Berlin 2021. Swindon: BCS Learning & Development Ltd. 2021. Verfügbar unter: https://doi.org/10.26041/fhnw-4546

2015
Jamie Allen. Manual Manuals: Media Reflexivity in Reading Through Tangible Artifacts. in: TEI ’15: Proceedings of the Ninth International Conference on Tangible, Embedded, and Embodied Interaction. New York City: ACM. 2015. Verfügbar unter: https://doi.org/10.26041/fhnw-4531

2014
Dionísio Soares Paiva, Catherine Descure, Jakob Bak, Chris Whitehead und Jamie Allen. Walkthrough research: methodological potentials for head-mounted cameras as reflexive tools in museum contexts. in: UbiComp ’14 Adjunct: Proceedings of the 2014 ACM International Joint Conference on Pervasive and Ubiquitous Computing: Adjunct Publication. New York City. 13 September 2014. Verfügbar unter: https://doi.org/10.26041/fhnw-4472

2013
Rachel Clarke, Areti Galani, Kamila Wajda und Jamie Allen. Creative Ecologies in Action: Technology and the Workshop-as-artwork. in: Proceedings of the 19th International Symposium on Electronic Art, ISEA2013. Sydney: ISEA International. 2013. Verfügbar unter: https://doi.org/10.26041/fhnw-4553

Morten Sondergaard und Jamie Allen. Reconsidering experiential knowledge in the relation of art and science practices. in: Proceedings of the 19th International Symposium on Electronic Art, ISEA2013. Sydney: ISEA International. 2013. Verfügbar unter: https://doi.org/10.26041/fhnw-4530

2011
Rachel Clarke, Areti Galani, Kamila Wajda und Jamie Allen. Creative Ecologies in Action: Technology & the Workshop-as-Artwork. in: International Symposium of Electronic Arts 2011 (ISEA2011). Istanbul. 2011. Verfügbar unter: https://doi.org/10.26041/fhnw-4534

Jo Kazuhiro, Areti Galani und Jamie Allen. An Ecology of Practice: Chiptune Marching Band. in: C&C ’09: Proceedings of the seventh ACM conference on Creativity and Cognition. New York City: ACM. 2011. Verfügbar unter: https://doi.org/10.26041/fhnw-4560

Edited Journal Issues & Volumes

2021
Jamie Allen. Critical Media Lab [eds.]. We will: Futurological propositions. 2021. Basel: Critical Media Lab Basel, IXDM, HGK, FHNW. 

2017
Jamie Allen, Lara Houston, Daniela K. Rosner und Steven J. Jackson. R3PAIR VOLUME. Continent. 2017. Bd. 6, Nr. 1. DOI: 10.26041/fhnw-4661. Verfügbar unter: https://doi.org/10.26041/fhnw-4661 

Jamie Allen. The Technosphere, Dialogues II. Continent. 2017. Bd. 6, Nr. 3. DOI: 10.26041/fhnw-4659. Verfügbar unter: https://doi.org/10.26041/fhnw-4659

2016
Jamie Allen. The Technosphere, Now. Continent. 2016. Bd. 5, Nr. 2. DOI: 10.26041/fhnw-4663. Verfügbar unter: https://doi.org/10.26041/fhnw-4663

Johannes Bruder, Felix Gerloff und Jamie Allen. Lost & Found. Continent. 2016. Bd. 5, Nr. 1. DOI: 10.26041/fhnw-4740. Verfügbar unter: https://doi.org/10.26041/fhnw-4740 

Johannes Bruder, Jamie Allen und Felix Gerloff. Letter from the Editors. Continent. 2016. Bd. 5, Nr. 1. DOI: 10.26041/fhnw-883. Verfügbar unter: https://doi.org/10.26041/fhnw-883

Jamie Allen, Lital Khaikin und Isaac Linder. Acoustic Infrastructure. Continent. 2016. Bd. 5, Nr. 3. DOI: 10.26041/fhnw-4694. Verfügbar unter: https://doi.org/10.26041/fhnw-4694 

2015
Jamie Allen, Paul Boshears und Marin Abell. Pitch Drop. Continent. 2015. Bd. 4, Nr. 2. DOI: 10.26041/fhnw-4738. Verfügbar unter: https://doi.org/10.26041/fhnw-4738 

2014
Jamie Allen, Paul Boshears und Isaac Linder. Fulgurite. Continent. 2014. Bd. 4, Nr. 1. DOI: 10.26041/fhnw-4737. Verfügbar unter: https://doi.org/10.26041/fhnw-4737

Jamie Allen. Critical Infrastructure: A Peer-Reviewed Journal About. APRJA. 1 Juni 2014. Bd. 3, Nr. 1. DOI: 10.7146/aprja.v3i1.116097. Verfügbar unter: https://doi.org/10.26041/fhnw-4526 

2012
Jamie Allen, Paul Boshears und Nico Jenkins. Encounter I. Continent. 2012. Bd. 2, Nr. 3. DOI: 10.26041/fhnw-4736. Verfügbar unter: https://doi.org/10.26041/fhnw-4736

Jamie Allen, Paul Boshears und Nico Jenkins. Firn. Continent. 2012. Bd. 2, Nr. 2. DOI: 10.26041/fhnw-4735. Verfügbar unter: https://doi.org/10.26041/fhnw-4735

2011
Jamie Allen, Paul Boshears und Nico Jenkins. Moraine. Continent. 2011. Bd. 1, Nr. 2. DOI: 10.26041/fhnw-4733. Verfügbar unter: https://doi.org/10.26041/fhnw-4733 

Jamie Allen, Paul Boshears und Nico Jenkins. Isthmus. Continent. 2011. Bd. 1, Nr. 1. DOI: 10.26041/fhnw-4732. Verfügbar unter: https://doi.org/10.26041/fhnw-4732

Jamie Allen, Nico Jenkins und Paul Boshears, 2011. Arrete. Continent. 2011. Bd. 1, Nr. 4. DOI: 10.26041/fhnw-4734. Verfügbar unter: https://doi.org/10.26041/fhnw-4734

Jamie Allen. Autonomy. Continent. 2011. Bd. 1, Nr. 3. DOI: 10.26041/fhnw-4697. Verfügbar unter: https://doi.org/10.26041/fhnw-4697

Exhibitions & Exhibition Contributions

2022
Jeremy Bolen, Adrian D'Aguiar und Jamie Allen. The Impossibility of a Planet. Carlina Rossee (Hrsg.). Collaborative Practice on a Changing Planet. Berlin: Haus der Kulturen der Welt, 2022. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34476

2021
Jamie Allen,  Abbey Odunlami und Louise Carver. These Flows Shall Not be Contained. Cecilia BIEN und Binta DIAW (Hrsg.). Emergent Strategies from the Deep. Calabria: Marebox, 2021. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34479

2019
Jamie Allen. The Lie Machine. Jan Boelen (Hrsg.). A School of Schools: Design as Learning. Arles: LUMA Arles, 2019. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34475

2018
Donato Ricci, Selcuk Artut, Michael Edward Young, Rebekka Kiesewetter, Benoit Verjat, Paolo Patelli und Jamie Allen. Teaching Lies. Jan Boelen (Hrsg.). 4th Istanbul Design Biennial. Istanbul: Istanbul Foundation for Culture and Arts, 2018. Verfügbar unter: https://doi.org/10.26041/fhnw-4562

Bernhard Garnicnig, Jamie Allen, Nina Jäger, Paul Boshears und Mayssa Fattouh. They Learn It From Us. Ricardo Duque (Hrsg.). continent. reproducing at L’Automàtica. Barcelona: L’Automatica, 2018. Verfügbar unter: http://hdl.handle.net/11654/27368

2017
Jamie Allen und Moritz Greiner-Petter (Hrsg.). WINDOWS. Basel, 2017. Verfügbar unter: http://hdl.handle.net/11654/27382

Bernhard Garnicnig, Nina Jäger, Jamie Allen, Maximilian Thomann, Lital Khaikin und Paul Boshears. Extending The Dialogue. Katrin Klingan, Christoph Rosol, Nick Houde und Johanna Schindler (Hrsg.). Technosphere 1948. Berlin: Haus der Kulturen der Welt, 2017. Verfügbar unter: http://hdl.handle.net/11654/27377

2014
Jamie Allen und Bernhard Garnicnig 2014-2019. My Holy Nacho. Online: Nikolaj Kunsthal, Kunsthal Aarhus, Linz FMR. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34729

2012
Jamie Allen. Refractive Index. Irini Papadimitriou (Hrsg.). FutureEverything 2012. Manchester: FutureEverything, 2012. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34456

2009
Jamie Allen. Human Potential Movement. Yuko Oda (Hrsg.). SIGGRAPH ASIA ’09. Yokohama: SIGGRAPH Art Gallery, 2009. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34477

2022

• Jamie Allen. Aeolian Technology. In the Wind series. Ahmedabad. 2022. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34421
  
• Jamie Allen with Priyanka Basu, Tamara Becerra VALDEZ, Jeremy Bolen, Simon Browne, Susan Cahill, Mél Hogan und Steve Rowell. Un-/Learning Archives in the Age of the Sixth Extinction. Un-/Learning Archives in the Age of The Sixth Extinction. Berlin. 2022. Verfügbar unter: https://doi.org/10.26041/fhnw-4543
  
• Jonas Kellermeyer und Jamie Allen. Hustle, Grind & Flow. Connect/Cut. Infrastructures and collective activity. Copenhagen. 2022. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34384
  
• Jamie Allen. Civic Ecologies. NYU Interactive Media Arts programme. New York City. 2022. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34422
  
• Jamie Allen. The Ledger of the Sun. Oslo Architecture Trienniale. Oslo. 2022. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34439
  
• Jamie Allen. Creativity and Community in the Middle of Nowhere. Crossings Festival. Belmonte Calabro. 2022. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34441
  
• Irka Hajdas und Jamie Allen. Exchange on Deep Time and Deep Response-ability. Unearthing the Present. Berlin. 2022. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34438
  
• Abbey Odunlami und Jamie Allen. Moving Food. Hochschule für Gestaltung Schwäbisch Gmünd programme. Schwäbisch Gmünd. 2022. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34420
  
• Jamie Allen. The Harvest of the Past That Awaits My Hunger. Entangled Milieus: Co-Constituting a Shared Futurity. Cyprus. 2022. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34443
  

2021

• Jamie Allen und Evy Jokhova. A Metabolic Procession. Architecture of the Enclosed Sea: Between Aquaria and Marine Protected Areas. Lisbon. 2021. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34437
  
• Jamie Allen. Ways of Working Together. Participatory Art Based Research - Responses to Ways of Working Together. Online. 2021. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34408
  

2020

• Jamie Allen, Jeffrey Lee Hallman, John Julian und Karolina Sobecka. Double Counting: The Odum Oration. transmediale festival 2020. Berlin. 2020. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34400
  
• Jamie Allen. Cycles, Soil and Sustenance. Shelf Life. Ferment-Activity and Nurturing Materials. Berlin. 2020. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34435
  
• Jamie Allen und Moritz Greiner-Petter. How to Build a Lie. Machines Fluidiques. Paris. 2020. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34401
  
• Louise Emily Carver und Jamie Allen. Diagrams That Build Worlds. POLLEN 2020. Online. 2020. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34407
  
• Jamie Allen. China, Technology, Planetary Futures: Lessons for a World in Crisis? Society for Social Studies of Science conference in Prague. Prague. 2020. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34434
  
• Stefan Brönnimann, Jamie Allen, Karolina Sobecka, Solveig Suess und Sira Chatterjee. Visualizing climate science: the poster between science and politics. 18th Swiss Geoscience Meeting. Zürich. 2020. Verfügbar unter: https://doi.org/10.26041/fhnw-4540
  
• Caroline Sinders und Jamie Allen. Trace Carbon. Art Meets Radical Openness. Online. 2020. Verfügbar unter: https://doi.org/10.26041/fhnw-4539
  
• Armina Pilav, Merve Bedir, Jamie Allen und Michaela Büsse. Governance: Documents & Monuments. Media, Migration & Governance Summer School. Online. 2020. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34406
  

2019

• Lucie Kolb und Jamie Allen. Annotating Feminism. Annotating Institutions as a Way of Life. IXDM FHNW. 7 Mai 2019. Verfügbar unter: https://irf.fhnw.ch/handle/11654/30449
  
• Lucie Kolb, Bernhard Garnicnig und Jamie Allen. Capricious Characters of the Community: Let’s see how this plays out. Designing Community. Espace Niemeyer, Paris. April 2019. Verfügbar unter: https://irf.fhnw.ch/handle/11654/30444
  
• Lucie Kolb, Bernhard Garnicnig und Jamie Allen. Premises. Other places of work. 10th SAR Conference on Artistic Research. Zürcher Hochschule der Künste. März 2019. Verfügbar unter: https://irf.fhnw.ch/handle/11654/30448
  
• Karolina Sobecka und Jamie Allen. This cycle, here, this one. Guest lecture, Howard T. Odum Center for Wetlands and Imagining Climate Change. Gainesville. 11 Februar 2019. Verfügbar unter: http://hdl.handle.net/11654/27737
  
• Jamie Allen. The Machine Stops. Digital Dictatorship or Digital Democracy? Online. 2019. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34383
  
• Jamie Allen. Femininity, Fecundity & Flow. Anthropocene River Campus Public Programs. New Orleans. 2019. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34430
  
• Jamie und Petros Babasikas. Palaces of Infrastructure: From Water to Data. 6Place Toronto. Toronto. 2019. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34398
  
• Jamie Allen. The Odum Oration. Part of Terra Effluviens - Excavating the lost diagrams of the Anthropocene. Terra Effluviens - Excavating the lost diagrams of the Anthropocene. Rijeka. 2019. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34382
  
• Jamie Allen, Sria Chatterjee und Karolina Sobecka. Concerning Circulations: Cybernetic Stewardship & Planetary Engineering. Akademie Schloss Solitude. Stuttgart. 2019. Verfügbar unter: https://doi.org/10.26041/fhnw-4773
  
• Jamie Allen. The Tuning of the World. The Prolonged Death of the Hippy. Basel. 2019. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34432
  
• Jamie Allen und Karolina Sobecka. Conference of the Public: CoCreating Article 6. CoCreate programme. Basel. 2019. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34399
  
• Bernhard Garnicnig und Jamie Allen. Workshop „Improvising Institutions“. Kunst an den Rändern. Muthesius Kunsthochschule. 2019. Verfügbar unter: http://hdl.handle.net/11654/27343
  
• Jamie Allen und Karolina Sobecka. This cycle, here, this one. Global Sustainability Series, University of Southern Florida, Patel Center for Global Solutions in Tampa. Tampa. 2019. Verfügbar unter: https://doi.org/10.26041/fhnw-4780
  
• Jamie Allen. Noisy Natures. im\Perfect Figurations in Nature, Culture and Technology. Berlin. 2019. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34433
  

2018

• Jamie Allen und continent. Reproducing Motherhood. L’automatica. Barcelona. 2018. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34481
  
• Jamie Allen und Karolina Sobecka. Cycles of Discussion, Circulation of Images. 16th Swiss Geoscience Meeting. Bern. 2018. Verfügbar unter: https://doi.org/10.26041/fhnw-4541
  
• Jamie Allen und Merle Ibach. Shift Register: The Eye Altering. Cité internationale des arts. Paris. 2018. Verfügbar unter: https://doi.org/10.26041/fhnw-4563
  
• Jamie Allen, DPR Barcelona and continent. Friend/Ships. Centre Culturel Suisse Paris. Paris. 2018. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34425
  
• Martin Howse, Jamie Allen und Jonathan Kemp. Shift Register: Tokyo Earth Observatory Workshop. Shift Register. Tokyo. 2018. Verfügbar unter: https://doi.org/10.26041/fhnw-4564
  

2017

• Donato Ricci, Rebekka Kiesewetter, Marco Ferrari, Paolo Patelli, Benoît Verjat und Jamie Allen. Touching Shadows - Sensory Evidence & Material Witnessing: Day 1. Intensive Week at Sciences-Po Expérimentation Arts et Politique. Paris. 2017. Verfügbar unter: https://doi.org/10.26041/fhnw-4692
  
• Jamie Allen. Echoes of Eco, Two Walks in Athens. documenta 14. Athen. Verfügbar unter: https://doi.org/10.26041/fhnw-4666
  
• continent und Jamie ALLEN. Fieldtalks, at the Anthropocene Campus Philadelphia. Fieldtalks at the Anthropocene Campus Philadelphia. Philadelphia. 2017. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34507
  
• Jamie Allen und Martin Howse. Earth Observatory Array Actions. Interfaces. Athen. 2017. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34397
  
• Maria Roszkowska , Nicolas Maigret und Jamie Allen. Functional Failures, Operative Fakes & Tenuous Techniques. Functional Failures, Operative Fakes & Tenuous Techniques. Basel. 2017. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34419
  
• Moritz Greiner-Petter und Jamie Allen. Impossible Escapes. transmediale festival 2017. Berlin. 2017. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34483
  
• Jamie Allen. Infrastructures of Art and Research. Dalhousie University, Computer Science Visiting Lecture Series (dal.ca). Halifax. 2017. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34429
  
• Jamie Allen, Lucie Kolb und Bernhard Garnicnig. Premises, Promises. 10th SAR International Conference on Artistic Research. Zürich. 2017. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34424
  
• Sara Diamond und Jamie Allen. transmediale Marshall McLuhan Lecture by Sara Diamond: Anxious to see change…. Marshall McLuhan Lectures. Berlin. 2017. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34428
  
• Jamie Allen.  The Forbidden, the Doubtful and the Moral. What Could be Known but Isn’t. Disruption Network Lab 2016 series. Berlin. 2016. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34418
  

2016

• Martin Howse, Ulla Taipale, Mari Keski-Korsu, Erich Berger, Timo Vesala und Jamie Allen. Shift Register: The Invisible Earth. Climate Whirl. Helsinki. 2016. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34504
• Will Schrimshaw und Jamie Allen. Subtraction and Differentiation. Reading Room #7. Den Haag. 2016. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34386
• Jamie Allen, Martin Howse und Jonathan Kemp. Shift Register: Earth Bodies, The Poison Cure. Shift Register. Basel. 2016. Verfügbar unter: https://doi.org/10.26041/fhnw-4527
• Jamie Allen. Images of Infrastructure. The Transdisciplinary Imaging Conference at the Intersection between Art, Science and Culture. Plymouth. 2016. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34417
• Will Schrimshaw und Jamie Allen. Noise as Pure Potential. Reading Room #6. Den Haag. 2016. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34385
• Jamie Allen, Martin Howse und Jonathan Kemp. Shift Register: Launch Event. RIXC Art Science Festival 2016. Riga. 2016. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34498
• Jamie Allen. Nature as Ecological Infrastructure. Encountering Materiality. Geneva. 2016. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34416

2015

• Jamie Allen. Lie Machine. Group exhibition with Mushon Zer-Aviv and Zach Blas. BPLTC II: IDENTITY CONTROL. Eastern Bloc New Media; Interdisciplinary Art. Montreal. 5 November 2015. Verfügbar unter: http://hdl.handle.net/11654/11728
• Jamie Allen. F*ck The Future. 12th Annual Conference of the German Society of Design Theory and Research (DGTF). FH Potsdam. 16 Oktober 2015. Verfügbar unter: http://hdl.handle.net/11654/11729
• Jamie Allen und Shintaro Miyazaki. Recomposing the E-Meter. Eastern Bloc. Montreal. 2015. Verfügbar unter: https://doi.org/10.26041/fhnw-4532

2014

• Jamie Allen. Apocryphal Technologies. Trials of the Engineered Imaginary. Zeitigung von Medien. Berlin. 2014. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34415
• Jamie Allen. Infrastructures of Innovation. Infrastructures of Creativity. Chicago. 2014. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34395

2013

• Jamie Allen. A Critical Design of the Present. Innovative Sessions. Copenhagen. 2013. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34503
• Erwin Verbruggen und Jamie Allen. Approaches to audiovisual media in the scholarly body. Beyond the PDF. Amsterdam. 2013. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34404
• Jamie Allen. Imaginary Technologies - The Applied Culture of Apps. Annual Meeting of the Society for Social Studies of Science (4S) 2013. San Diego. 2013. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34394
• Jamie Allen und Ryan Jordan. Signal Aesthetics. Media Art Histories 2013: Renew. Riga. 2013. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34502
• Jamie Allen. Our Data Doppelgängers. NetSci Conference. Copenhagen. 2013. Verfügbar unter: https://doi.org/10.26041/fhnw-4537

2012

• Jamie Allen. The Aesthetics of (Para)Academic Practice. Aesthetics in the 21st Century. Basel. 2012. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34403

2011

• Joelle Bitton, Julien Dorra und Jamie Allen. Switch on, switch off. transmediale festival 2011. Berlin. 2011. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34730
• Jamie Allen. Could This Be What It Looks Like? Lifelike Art and New Media Practice. College of Art Association Conference. New York City. 2011. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34413
• Jamie Allen. Matter, Media, Myth - Nam June Paik. The Electronic Superhighway. Liverpool. 2011. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34505

2010

• Will Schrimshaw und Jamie Allen. Resonator: A Larger Vibrational Continuum of Sound Art Practice. Sound Acts Conference. Denmark. 2010. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34411
• Jamie Allen. Realtime Real Time. Technology and ‘the Death of Art History’, Computers and the History of Art (CHArt) 2010 Conference. London. 2010. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34412

2009

• Geraldine Juarez und Jamie Allen. Transmisol. Transitio Festival. Mexico City. 2009. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34381 

• Ground Tests: Situating Advanced Practices
  2020-06-01 to 2024-05-31 | Grant
  Swiss National Science Foundation (Bern, CH)
  URL: https://app.dimensions.ai/details/grant/grant.9055218
  GRANT_NUMBER: 189831
• Cycles of Circulation
  2019-12-01 to 2023-11-30 | Grant
  Swiss National Science Foundation (Bern, CH)
  URL: https://app.dimensions.ai/details/grant/grant.8712481
  GRANT_NUMBER: 185494
• Institutions as a Way of Life
  2017-10-01 to 2022-03-31 | Grant
  Swiss National Science Foundation (Bern, CH)
  URL: https://app.dimensions.ai/details/grant/grant.7070276
  GRANT_NUMBER: 173371
• Institute of Infrastructures
  2016-11-29 to present | Grant
  Canada Foundation for Innovation (Ottawa, CA)
  URL: https://app.dimensions.ai/details/grant/grant.7615888
  GRANT_NUMBER: CFI12173
• Shift Register: Media-geological Grounding of the Anthropocene through Artistic Research
  2016-10-01 to 2019-03-31 | Grant
  Swiss National Science Foundation (Bern, CH)
  URL: https://app.dimensions.ai/details/grant/grant.6458955
  GRANT_NUMBER: 166400
• Acoustic Infrastructure
  2015 to 2016 | Grant
  National Endowment for the Arts (Washington D.C., US)
• PELARS
  2014 to 2017 | EU Framework Grant
  Copenhagen Institute of Interaction Design (Copenhagen, DK)
• MELA
  2012 to 2016 | EU Framework Grant
  Copenhagen Institute of Interaction Design (Copenhagen, DK)
• Media, Materiality and Myth: Nam June Paik
  2011 to 2012 | Research & Travel Grant
  Korea Foundation (Seoul, KR)
• HELICOPTER
  2010 to 2012 | EU Framework Grant
  Copenhagen Institute of Interaction Design (Copenhagen, DK)

• Jamie Allen und Stas Sharifullin. Funky Fresh. CoCreate 2022. Basel. 2023.
• Jamie Allen. Being Eaten. CoCreate 2022. Basel. 2022. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34448
• Abbey Odunlami und Jamie Allen. Food Spectacles: Seeing Power, Eating Culture. HfG Inter­na­tional Labo­ra­tory Week 2020. Schwäbisch Gmünd. 2020. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34405
• Rebekka Kiesewetter, Donato Ricci, Benoît Verjat, Paolo Patelli, Marco Ferrari und Jamie Allen. Touching Shadows - Sensory Evidence & Material Witnessing: Day 2. Intensive Week at Sciences-Po Expérimentation Arts et Politique. Paris. 2017. Verfügbar unter: https://doi.org/10.26041/fhnw-4693

• European Forum for Advanced Practices
  2017 to 2023 (International artistic research special interest group lead by Irit Rogoff and Florian Schneider)
• ECCENTRIC: Milano, IT
  2016 to present | Artist Representation
• continent.: Berlin, DE
  2011 to present | Founder and Co-Editor (Experimental Publishing Collective)
• UNIDEE Fondazione Pistoletto: Biella, IT
  2021 | Groundwork for Embedded Arts Practice Resident
• SAVVY Contemporary & MAREBOX Creative Innovation Lab: Berlin, DE
  2020 | Climatology & Climatography of Care (MLab Award mLab Institute of Geography) Resident
• Social Sciences and Humanities Research Council of Canada: Ontario, ON, CA
  2018 | Canada Research Chair in Infrastructure, Media & Communications
• Banff Centre: Banff, CA
  2018 | Beyond Anthropocene (Banff Research in Culture (BRiC)) Resident
• ADI Design Permanent Observatory & Design Index: Milano, IT
  2018 | Exhibition Reset Modernity! Award Winner
• Kanton Basel-Stadt Abteilung Kultur: Basel, Basel-Stadt, CH
  2017 | Kulturpauschale Recipient
• University of Colorado Boulder: CO, CO, US
  2016 | Media Archeology Lab Denver Fellowship Recipient
• Trent University: Peterborough, Ontario, CA
  2016 | Catharine Parr Traill College Fellowship Recipient
• Canada Council for the Arts: Ottawa, Ontario, CA
  2016 | Research Grant Recipient
• Haus of Electronic Arts Basel and Hexagram-Concordia Montreal Mondiale Residencies: Basel, CH
  2014 to 2016 | Committee Member
• Vallensbæk Kommune: Vallensbæk, DK
  2013 to 2016 | Board of Advisors (DIAS Digital Interactive Art Space)
• Canada Council for the Arts: Ottawa, Ontario, CA
  2015 | Travel Grant Recipient
• Danish Arts Foundation: Copenhagen, DK
  2014 | Arts Production Fund Recipient
• Canada Council for the Arts: Ottawa, Ontario, CA
  2014 | Production Grant
• Wellcome Trust: London, GB
  2013 | Wellcome Trust Grants for Artists Recipient
• Korea Foundation: Seoul, KR
  2013 | Fellowship for Field Research Recipient
• Danish Arts Foundation: Copenhagen, DK
  2013 | Publishing Award Recipient
• Arts Research Digest: Newcastle upon Tyne, GB
  2010 to 2012 | Board of Advisors Member