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Locations and ContactFHNW LibraryMedia Relations

      Logo of the University of Applied Sciences and Arts Northwestern Switzerland
      DeEn
      Locations and ContactFHNW LibraryMedia Relations

      Dr. Jamie Allen

      Senior Lecturer/Researcher

      Jamie Allen (he/him 🇨🇦) is an artist-researcher and organizer occupied with the resonances between metabolisms, ecologies, technologies, infrastructures, and institutions. He makes experiments and research, writing and media, material artworks and events, encounters and workshops, talks and platforms for publishing and public-making.

      He is always seeking experimental, cooperative projects, situations, people and activities that acknowledge love, friendship and reciprocity as part of creative knowledge practices in art, media and research. Interested in open, experimental, empathetic and generous collaborative constellations. His activities intend actual and imagined, technological and metabolic, institutional and artistic modulations of energy, matter and information.

      Artist, researcher, designer, media-maker, organizer, teacher, writer. From the southernmost, industrial part of 'Canada' (the part that doesn’t look like most people think Canada does). Born (white, male, settler-colonial) during an oil crisis. Early appreciation of eroding infrastructure, modes of solidarity, erosive trade agreements, civic pride, ecological tradeoffs, metabolic privilege and environmental injustice through play, media, music, art, collaboration and friendship. Fascination for material movement, planetary resource dynamics, migration and movement, institutional critique and infrastructural globalism. Media art, engineering, music, performance, community radio, poetry, compositional scores, diy spaces, interactive art, interaction design, museum design, artistic research, the right to research, extradisciplinary practice, infrastructure studies, experimental publishing, political ecology, planetary intimacy, media methods, media materialism and archeology, psychic and cultural-techniques.

      Jamie Allen is occupied with how technologies and media affect psychic, social, material and natural ecologies. Most often in collaboration, he creates experimental, extra-disciplinary extra-versions, evolving as texts, events, workshops, media and physical artworks. His work engages with infrastructure, science and technology and media studies through the means of experimental art, media and design, in interaction with natural and human sciences (ecology, geology, geography, ethnography, anthropology). He likes to make things with his head and hands and in collaboration with people and institutions that acknowledge friendship and love as part of knowledge practices like art and research.

      Jamie was born in Canada, lives in Europe and is a Senior Researcher at the Critical Media Lab Basel, having previously held posts as Canada Research Chair in Infrastructure, Media and Communications at the Nova Scotia College of Art and Design (NSCAD), Head of Research with the Copenhagen Institute of Interaction Design(CIID), and Assistant Director of the Culture Lab in the UK. He has degrees in chemical and electrical engineering, music composition, media arts and philosophies of communications and technology from Canada, Scotland, New York and Switzerland. He has worked as a polymer chemist, an electronics engineer and a museum designer.

      The experimental, award-winning, and collaborative work in techno-culture and media arts that Jamie engages in began with early involvement in groups like Eyebeam, and through formative art and technology exhibitions like Electric Lab at Exit Art. He also initiated and organized art and technology community initiatives such as 'Wood Metal Water' in 2005 at the RedHead arts space of the Lower Manhattan Cultural Council, and contributed directly to the development of Open Source technologies like the Firmata protocol throughout the 2000s.

      Dr. Allen's Ph.D. (summa cum laude, 2015) developed a materialist philosophy and techno-aesthetics of natural and technical infrastructures, and was supervised by Siegfried Zielinski and Avital Ronell. He regularly participates in international research fellowships, for example at Trent University's Traill College and the Nam June Paik Art Centre. Jamie receives grateful support for artistic production, scientific research and infrastructure from the AHRC in the UK, the SSHRC in Canada, and the Swiss National Science Foundation. Numerous arts, cultural and residency foundations and organizations such as the Canada Council of the Arts, the Danish Arts Foundation and the National Endowment for the Arts have also supported projects. His founding and early activation has helped create institutional forms as community spaces, public-making (‘publishing’) initiatives and media labs.

      Jamie exhibits art and design work internationally, including ’Emergent Strategies from the Deep’ (2021) at Savvy Contemporary, ‘(Un)mutable Channels’ for The Shape of a Practice at the House of World Cultures (2020), ’The Lie Machine’ for Invisible Threads: Technology and its Discontents in Abu Dhabi (2017), ‘Echoes of Eco' at documenta14 in Athens (2017) and ’#rocks’ for the Neue National Galerie Festival of Future Nows (2014), in collaboration. Featured commissions and performances include those with the Walk&Talk Festival in the Azores in 2018, the Nikolaj Kunsthal in Copenhagen in 2016, and the transmediale festival in Berlin with the 2014 project Critical Infrastructure.

      Hosting workshops in cultural and academic contexts all over the world, Jamie has taught with NYU’s Interactive Telecommunications and Museum Studies programmes, The Pratt Institute of Art & Design Department of Digital Arts, New Media Music at Hanyang University in Seoul, the Parsons School of Design and the Royal College of Art in London. His "workshop as artwork" practices take place in collaboration with institutions like the Tate Liverpool, the STEIM Studio for Electronic Instrumental Music and the Art Meets Radical Openness Festival, amongst many others. He publishes and makes media addressing topics such as the emergence of 'truth verification' technologies, the mediatization and logistification of global environments and ecologies and the racialized history of the science of ecosystems and ecology.

      Jamie’s work is informed by his training in the engineering sciences and infrastructural practices that sustain, amplify, exploit and reconfigure values and desires. It asks how we can point to and repair the inequalities and disparities of knowledge and access that these systems often (re)produce. The cooperative projects and encounters he develops address institutional, infrastructural and ecological histories and change, toward 'metabolic creative practices’: material cultural ceremonies of thriving and surviving and technological rituals of trust, response-ability and ecological relation. What constellations of techno-science can we devise, together, that might heal the rifts wrought by infrastructural modernism, exploitation and messianism? Critical scholarship and studies of infrastructure, institutions and media, as well as participatory media and artistic work, circulates toward a ‘culinary cosmopolitics' that relates energy, metabolism, logistics, food and sustenance, migration, labour and community.

      Jamie and collaborators are currently preparing event formats, films and media works, as well as two edited volumes: one entitled 'Geognostics: A Planetary Manual' which considers individual-planetary relations in the Anthropocene, and 'Didn't You Get the Memo?', a provocation to the creative imaginations of experimental practitioners within institutions. A monograph book project entitled "Philosophies of Infrastructure" is in the works, indexing how media and infrastructures allow or forestal particular perceptual, social, ecological and metabolic relations, imaginaries and realities. Ongoing practice projects instigate participatory and collaborative alimentary situations that address "metabolic media" and "metabolic creative practices."

      Monographs

      Jamie Allen. How to Build a Lie. Denver: Counterpath. City Park Jazz Series 2016; ISBN 978-1-93-3996559-2.

      Edited Books

      Jamie Allen und Eleonora Lupo. Representing Museum Technologies. MeLA 2012.

      Articles

      2023
      Jamie Allen und Jeremy Bolen. What on earth is the planetary? Anthropocene Curriculum. 2023. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4747

      2022
      Catherine Russell und Jamie Allen. It All Begins on the Surface. Anthropocene Curriculum. 2022. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4506

      Jamie Allen. Of Metabolic Myth. Raddar. 2022. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4860 

      Jamie Allen und Daniel Barber. Histories of White Ecologies, Gratitudes for Black Ecologies. MARCH. 2022. Nr. 2. DOI: 10.26041/fhnw-4505. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4505 

      Jamie Allen und Jonas Kellermeyer. Hustle, Grind and Sleep. The Posthumanist. 2022. Bd. 1. DOI: 10.26041/fhnw-4672. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4672 

      2021
      Jamie Allen. Planetary Intimacy. Anthropocene Curriculum. 29 November 2021. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4502

      Jamie Allen und Anke Gruendel. Microreview: Dialectic Diatribes on the New European Bauhaus. SARN. 2021. DOI: 10.26041/fhnw-4731. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4731 

      Jamie Allen. Archive Earth. Ambiguous Conversations and Conversions. Roadsides. 15 April 2021. Bd. 5. DOI: 10.26034/roadsides-202100502. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4503 

      Jamie Allen und Caroline Sinders. Can Hope be Calculated? Multiplying and Dividing Carbon, before and after Corona. A Nourishing Network. 3 März 2021. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4500 

      2020
      Jamie Allen, Lucie Kolb und Bernhard Garnicnig. Interviews with the Swamp Thing, the Poacher and the Healer. Passepartout. 11 Dezember 2020. Bd. 22, Nr. 40. DOI: 10.26041/fhnw-4578. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4578 

      Jamie Allen. Beyond the Media Reveal. Seismograf. 26 Juni 2020. DOI: /10.48233/seismograf2504. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4509 

      Jamie Allen und Donato Ricci. Testing Against the World. DiseĂąa. 1 März 2020. Bd. 16. DOI: 10.7764/disena.16.12-30. VerfĂźgbar unter: https://doi.org/10.7764/disena.16.12-30 

      2019
      Jamie Allen. Faith Family Farming. Anthropocene Curriculum. 11 Oktober 2019. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4511 

      Jamie Allen. Good River, Bad River, Little River, Big River. Anthropocene Curriculum. 18 September 2019. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4508

      Jamie Allen. Headwaters at the Head Waters. Anthropocene Curriculum. 29 August 2019. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4512

      Jamie Allen und Bernhard Garnicnig. Message Send Failure. A*DESK. 27 Mai 2019. DOI: 10.26041/fhnw-4580. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4580 

      2018
      Jamie Allen. Sitting On Top of the World: Meridional Media, Arctic Condescension, and Northern Techniques. Anthropocene Curriculum. 30 November 2018. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4510 

      Jamie Allen. The Overgrounds and Undergrounds of Pure and Applied Science: Cosmic Collisions and Industrial Collusion. Media Theory. 2018. Bd. 2, Nr. 1. DOI: 10.26041/fhnw-4579. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4579 

      2017
      Jamie Allen. The Longest Lightbulb. Continent. 2017. Bd. 6, Nr. 1. DOI: 10.26041/fhnw-4662. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4662 

      Jamie Allen. free wifi here. Continent. 2017. Bd. 7, Nr. 1. DOI: 10.26041/fhnw-4658. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4658 

      2016
      Jamie Allen, Flavia Caviezel, Johannes Bruder, Moritz Greiner-Petter, Shintaro Miyazaki und Yvonne Volkart Schmidt. Impossible Escapes – Evasive Strategies, Elusive Procedures, and Evacuation Plans. Neural. Dezember 2016. Bd. 56. VerfĂźgbar unter: http://hdl.handle.net/11654/26430 

      Jamie Allen, Lital Khaikin und Isaac Linder. Acoustic Infrastructure. Continent. 2016. Bd. 5, Nr. 3. DOI: 10.26041/fhnw-4664. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4664 

      2015
      Jamie Allen. The Copenhagen Invitation. Continent. 2015. Bd. 4, Nr. 2. DOI: 10.26041/fhnw-4660. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4660 

      2013
      Jamie Allen. Of Minimal Materialities And Maximal Amplitudes: A Provisional Manual Of Stroboscopic Noise Performance. Leonardo Electronic Almanac. 2013. Bd. 19, Nr. 3. DOI: 10.26041/fhnw-4498. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4498 

      Jamie Allen. The Matter with Media. Artnodes. 2013. Bd. 12. DOI: 10.26041/fhnw-4566. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4566 

      Jamie Allen. Traveling at The Speed of Paik: An artist-researcher visits the Nam June Paik Art Center. Leonardo Electronic Almanac. 2013. Bd. 18, Nr. 2. DOI: 10.26041/fhnw-4497. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4497 

      2012
      Jamie Allen. Cum On Feel the Noize. Continent. 2012. Bd. 2, Nr. 1. DOI: 10.26041/fhnw-4667. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4667 

      2011
      Jamie Allen. Could This Be What It Looks Like? Lifelike Art and Art-and-technology Practice (I si això fos el que sembla? Art que imita la vida i prĂ ctica artĂ­stica tecnològica). Artnodes. 2011. Bd. 11. DOI: 10.26041/fhnw-4528. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4528 

      Jamie Allen. An Art and Technology of Understanding. Vice. 2011. DOI: 10.26041/fhnw-4565. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4565 

      2005
      ALLEN, Jamie und John P. YOUNG, 2006. NIME 2005: New Interfaces for Musical Expression. Computer Music Journal. 2006. Bd. 30, Nr. 1. DOI: 10.26041/fhnw-4471. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4471 

      Book Contributions

      2022
      Jamie Allen and Louise Emily Carver. Reptile Brain. in: Anna Engelhardt (Hrsg.). Chimeras: Inventory of Synthetic Cognition. 2022. Athen: Onassis Foundation. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4545 

      Jamie Allen.  Technoaesthetics. in: Anna Engelhardt (Hrsg.). Chimeras: Inventory of Synthetic Cognition. 2022. Athen: Onassis Foundation. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4545 

      Jamie Allen. Techniques of North: Sitting on Top of the World. in: Daniela Zyman (Hrsg.). Oceans Rising: A Companion to Territorial Agency: Oceans in Transformation. 2022. London: Sternberg Press. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4470 

      2021
      Jamie Allen. On the Modes of Technical Extraction in Chile. in: Ned Rossiter und Brett Neilson (Hrsg.). Logistical Worlds. Infrastructure, Software, Labor. 2021. London: Open Humanities Press. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4469 

      Jamie Allen und Louise Emily Carver. Technogenesis. in: Anna Engelhardt (Hrsg.). Chimeras: Inventory of Synthetic Cognition. 2021. Athen: Onassis Foundation. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4501

      Jamie Allen. The Earth is an Art, Like Everything Else. in: Charles Merewhether und Siegfried Zielinksi (Hrsg.). Art in the 21st Century: Reflections and Provocations. 2021. Hong Kong: Osage Publications. ISBN 978-988-77281-3-9. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4467

      Jamie Allen. What Do Proposals Propose? What Do Projects Project? In: Ina Bandixen (Hrsg.). We Will. 2021. Basel: Critical Media Lab. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4529

      2020
      Jamie Allen, Merle Ibach, Michaela BĂźsse, Felix Gerloff, Viktor BedĂś und Shintaro Miyazaki. Unmaking. Against General Applicability. in: Loes Bogers und Letizia Chiappini (Hrsg.). The Critical Makers Reader: (Un)learning Technology. 2020. Amsterdam: Institute of Network Cultures. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4468

      2019
      Jamie Allen und Louise Emily Carver. Strange Exchanges. in: Jaimey Hamilton Faris (Hrsg.). Almanac for the Beyond. 2019. Honolulu: Tropic Editions. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4548

      Jamie Allen und Bernhard Garnicnig. The Art of Instituting. in: Tanya Toft Ag (Hrsg.). Digital Dynamics in Nordic Contemporary Art. 2019. Bristol: Intellect. ISBN 978-1-78320-948-4. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4695

      Jamie Allen, Bernhard Garnicnig und Lucie Kolb. Counter-conscious’ Ways of Life. in: Stephen Willats (Hrsg.). Artwork as Institution. 2019. Zürich: Brand New Life. ISBN 978-3-033-07267-l. Verfügbar unter: https://doi.org/10.26041/fhnw-4466

      Jamie Allen. System-Rausch-Verhältnis. Kunst und Potenziale von Systemtheorie und Kybernetik. in: Claudia Mareis (Hrsg.). Designing Thinking: Angewandte Imagination und Kreativität um 1960. 2019. Paderborn: Brill / Fink. Verfßgbar unter: https://doi.org/10.26041/fhnw-4465

      2017
      David Gauthier und Jamie Allen. Critical Infrastructure. in: Ryan Bishop, Kristoffer Gansing, Elvia Wilk und Jussi Parikka (Hrsg.). across & beyond: A transmediale Reader on Post-digital Practices, Concepts, and Institutions. 2017. Berlin: Sternberg Press. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4538

      Jamie Allen. It’s Probably Time to Start Lighting Things on Fire. in: Jussi Parikka, Elvia Wilk, Ryan Bishop und Kristoffer Gansing (Hrsg.). across & beyond: A transmediale Reader on Post-digital Practices, Concepts, and Institutions. 2017. Berlin: Sternberg Press. Verfügbar unter: https://doi.org/10.26041/fhnw-4544

      Claudia Mareis und Jamie Allen. Media Labs – Medienlabore als gestalterische Experimentier- und Forschungsräume. in: Kirsten Langkilde (Hrsg.). Poetry of the Real. 2017. Basel: Christoph Merian Verlag. Verfügbar unter: https://doi.org/10.26041/fhnw-4577

      2016
      Jamie Allen, Johannes Bruder und Claudia Mareis. Why Is It So Hard To Describe Experience? Why Is It So Hard To Experience Description? in: Bruno Latour (Hrsg.). Reset Modernity! 2016. Cambridge: MIT Press. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4463

      2014
      Jamie Allen, Jakob Bak und David Gauthier. Visualising Interdisciplinary Research: Algorithmic Treatment of Museum Case-study Information Sets. in: Perla Innocenti (Hrsg.). Migrating Heritage: Experiences of Cultural Networks and Cultural Dialogue in Europe. 2014. London: Routledge. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4464

      Konferenzbeiträge (Contributions to Conference Proceedings)

      2021
      Jamie Allen. Improvising institutions. Art & its institutional borders. in: Annika Frye und Christiane Kruse (Hrsg.). Kunst an den Rändern, Wie aus Bildern und Objekten Kunst werden kann. Berlin: De Gruyter. 25 Oktober 2021. ISBN 9783110737462. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4000 

      Jamie Allen. Infrastructural Unrest. in: POM Berlin 2021. Swindon: BCS Learning & Development Ltd. 2021. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4546

      2015
      Jamie Allen. Manual Manuals: Media Reflexivity in Reading Through Tangible Artifacts. in: TEI ’15: Proceedings of the Ninth International Conference on Tangible, Embedded, and Embodied Interaction. New York City: ACM. 2015. Verfügbar unter: https://doi.org/10.26041/fhnw-4531

      2014
      Dionísio Soares Paiva, Catherine Descure, Jakob Bak, Chris Whitehead und Jamie Allen. Walkthrough research: methodological potentials for head-mounted cameras as reflexive tools in museum contexts. in: UbiComp ’14 Adjunct: Proceedings of the 2014 ACM International Joint Conference on Pervasive and Ubiquitous Computing: Adjunct Publication. New York City. 13 September 2014. Verfügbar unter: https://doi.org/10.26041/fhnw-4472

      2013
      Rachel Clarke, Areti Galani, Kamila Wajda und Jamie Allen. Creative Ecologies in Action: Technology and the Workshop-as-artwork. in: Proceedings of the 19th International Symposium on Electronic Art, ISEA2013. Sydney: ISEA International. 2013. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4553

      Morten Sondergaard und Jamie Allen. Reconsidering experiential knowledge in the relation of art and science practices. in: Proceedings of the 19th International Symposium on Electronic Art, ISEA2013. Sydney: ISEA International. 2013. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4530

      2011
      Rachel Clarke, Areti Galani, Kamila Wajda und Jamie Allen. Creative Ecologies in Action: Technology & the Workshop-as-Artwork. in: International Symposium of Electronic Arts 2011 (ISEA2011). Istanbul. 2011. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4534

      Jo Kazuhiro, Areti Galani und Jamie Allen. An Ecology of Practice: Chiptune Marching Band. in: C&C ’09: Proceedings of the seventh ACM conference on Creativity and Cognition. New York City: ACM. 2011. Verfügbar unter: https://doi.org/10.26041/fhnw-4560

      Edited Journal Issues & Volumes

      2021
      Jamie Allen. Critical Media Lab [eds.]. We will: Futurological propositions. 2021. Basel: Critical Media Lab Basel, IXDM, HGK, FHNW. 

      2017
      Jamie Allen, Lara Houston, Daniela K. Rosner und Steven J. Jackson. R3PAIR VOLUME. Continent. 2017. Bd. 6, Nr. 1. DOI: 10.26041/fhnw-4661. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4661 

      Jamie Allen. The Technosphere, Dialogues II. Continent. 2017. Bd. 6, Nr. 3. DOI: 10.26041/fhnw-4659. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4659

      2016
      Jamie Allen. The Technosphere, Now. Continent. 2016. Bd. 5, Nr. 2. DOI: 10.26041/fhnw-4663. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4663

      Johannes Bruder, Felix Gerloff und Jamie Allen. Lost & Found. Continent. 2016. Bd. 5, Nr. 1. DOI: 10.26041/fhnw-4740. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4740 

      Johannes Bruder, Jamie Allen und Felix Gerloff. Letter from the Editors. Continent. 2016. Bd. 5, Nr. 1. DOI: 10.26041/fhnw-883. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-883

      Jamie Allen, Lital Khaikin und Isaac Linder. Acoustic Infrastructure. Continent. 2016. Bd. 5, Nr. 3. DOI: 10.26041/fhnw-4694. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4694 

      2015
      Jamie Allen, Paul Boshears und Marin Abell. Pitch Drop. Continent. 2015. Bd. 4, Nr. 2. DOI: 10.26041/fhnw-4738. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4738 

      2014
      Jamie Allen, Paul Boshears und Isaac Linder. Fulgurite. Continent. 2014. Bd. 4, Nr. 1. DOI: 10.26041/fhnw-4737. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4737

      Jamie Allen. Critical Infrastructure: A Peer-Reviewed Journal About. APRJA. 1 Juni 2014. Bd. 3, Nr. 1. DOI: 10.7146/aprja.v3i1.116097. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4526 

      2012
      Jamie Allen, Paul Boshears und Nico Jenkins. Encounter I. Continent. 2012. Bd. 2, Nr. 3. DOI: 10.26041/fhnw-4736. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4736

      Jamie Allen, Paul Boshears und Nico Jenkins. Firn. Continent. 2012. Bd. 2, Nr. 2. DOI: 10.26041/fhnw-4735. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4735

      2011
      Jamie Allen, Paul Boshears und Nico Jenkins. Moraine. Continent. 2011. Bd. 1, Nr. 2. DOI: 10.26041/fhnw-4733. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4733 

      Jamie Allen, Paul Boshears und Nico Jenkins. Isthmus. Continent. 2011. Bd. 1, Nr. 1. DOI: 10.26041/fhnw-4732. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4732

      Jamie Allen, Nico Jenkins und Paul Boshears, 2011. Arrete. Continent. 2011. Bd. 1, Nr. 4. DOI: 10.26041/fhnw-4734. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4734

      Jamie Allen. Autonomy. Continent. 2011. Bd. 1, Nr. 3. DOI: 10.26041/fhnw-4697. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4697

      Exhibitions & Exhibition Contributions

      2022
      Jeremy Bolen, Adrian D'Aguiar und Jamie Allen. The Impossibility of a Planet. Carlina Rossee (Hrsg.). Collaborative Practice on a Changing Planet. Berlin: Haus der Kulturen der Welt, 2022. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34476

      2021
      Jamie Allen,  Abbey Odunlami und Louise Carver. These Flows Shall Not be Contained. Cecilia BIEN und Binta DIAW (Hrsg.). Emergent Strategies from the Deep. Calabria: Marebox, 2021. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34479

      2019
      Jamie Allen. The Lie Machine. Jan Boelen (Hrsg.). A School of Schools: Design as Learning. Arles: LUMA Arles, 2019. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34475

      2018
      Donato Ricci, Selcuk Artut, Michael Edward Young, Rebekka Kiesewetter, Benoit Verjat, Paolo Patelli und Jamie Allen. Teaching Lies. Jan Boelen (Hrsg.). 4th Istanbul Design Biennial. Istanbul: Istanbul Foundation for Culture and Arts, 2018. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4562

      Bernhard Garnicnig, Jamie Allen, Nina Jäger, Paul Boshears und Mayssa Fattouh. They Learn It From Us. Ricardo Duque (Hrsg.). continent. reproducing at L’Automàtica. Barcelona: L’Automatica, 2018. Verfügbar unter: http://hdl.handle.net/11654/27368

      2017
      Jamie Allen und Moritz Greiner-Petter (Hrsg.). WINDOWS. Basel, 2017. VerfĂźgbar unter: http://hdl.handle.net/11654/27382

      Bernhard Garnicnig, Nina Jäger, Jamie Allen, Maximilian Thomann, Lital Khaikin und Paul Boshears. Extending The Dialogue. Katrin Klingan, Christoph Rosol, Nick Houde und Johanna Schindler (Hrsg.). Technosphere 1948. Berlin: Haus der Kulturen der Welt, 2017. Verfßgbar unter: http://hdl.handle.net/11654/27377

      2014
      Jamie Allen und Bernhard Garnicnig 2014-2019. My Holy Nacho. Online: Nikolaj Kunsthal, Kunsthal Aarhus, Linz FMR. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34729

      2012
      Jamie Allen. Refractive Index. Irini Papadimitriou (Hrsg.). FutureEverything 2012. Manchester: FutureEverything, 2012. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34456

      2009
      Jamie Allen. Human Potential Movement. Yuko Oda (Hrsg.). SIGGRAPH ASIA ’09. Yokohama: SIGGRAPH Art Gallery, 2009. Verfügbar unter: https://irf.fhnw.ch/handle/11654/34477

      2022

      2021

      • Jamie Allen und Evy Jokhova. A Metabolic Procession. Architecture of the Enclosed Sea: Between Aquaria and Marine Protected Areas. Lisbon. 2021. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34437
      • Jamie Allen. Ways of Working Together. Participatory Art Based Research - Responses to Ways of Working Together. Online. 2021. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34408

      2020

      • Jamie Allen, Jeffrey Lee Hallman, John Julian und Karolina Sobecka. Double Counting: The Odum Oration. transmediale festival 2020. Berlin. 2020. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34400
      • Jamie Allen. Cycles, Soil and Sustenance. Shelf Life. Ferment-Activity and Nurturing Materials. Berlin. 2020. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34435
      • Jamie Allen und Moritz Greiner-Petter. How to Build a Lie. Machines Fluidiques. Paris. 2020. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34401
      • Louise Emily Carver und Jamie Allen. Diagrams That Build Worlds. POLLEN 2020. Online. 2020. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34407
      • Jamie Allen. China, Technology, Planetary Futures: Lessons for a World in Crisis? Society for Social Studies of Science conference in Prague. Prague. 2020. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34434
      • Stefan BrĂśnnimann, Jamie Allen, Karolina Sobecka, Solveig Suess und Sira Chatterjee. Visualizing climate science: the poster between science and politics. 18th Swiss Geoscience Meeting. ZĂźrich. 2020. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4540
      • Caroline Sinders und Jamie Allen. Trace Carbon. Art Meets Radical Openness. Online. 2020. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4539
      • Armina Pilav, Merve Bedir, Jamie Allen und Michaela BĂźsse. Governance: Documents & Monuments. Media, Migration & Governance Summer School. Online. 2020. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34406

      2019

      • Lucie Kolb und Jamie Allen. Annotating Feminism. Annotating Institutions as a Way of Life. IXDM FHNW. 7 Mai 2019. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/30449
      • Lucie Kolb, Bernhard Garnicnig und Jamie Allen. Capricious Characters of the Community: Let’s see how this plays out. Designing Community. Espace Niemeyer, Paris. April 2019. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/30444
      • Lucie Kolb, Bernhard Garnicnig und Jamie Allen. Premises. Other places of work. 10th SAR Conference on Artistic Research. ZĂźrcher Hochschule der KĂźnste. März 2019. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/30448
      • Karolina Sobecka und Jamie Allen. This cycle, here, this one. Guest lecture, Howard T. Odum Center for Wetlands and Imagining Climate Change. Gainesville. 11 Februar 2019. VerfĂźgbar unter: http://hdl.handle.net/11654/27737
      • Jamie Allen. The Machine Stops. Digital Dictatorship or Digital Democracy? Online. 2019. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34383
      • Jamie Allen. Femininity, Fecundity & Flow. Anthropocene River Campus Public Programs. New Orleans. 2019. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34430
      • Jamie und Petros Babasikas. Palaces of Infrastructure: From Water to Data. 6Place Toronto. Toronto. 2019. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34398
      • Jamie Allen. The Odum Oration. Part of Terra Effluviens - Excavating the lost diagrams of the Anthropocene. Terra Effluviens - Excavating the lost diagrams of the Anthropocene. Rijeka. 2019. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34382
      • Jamie Allen, Sria Chatterjee und Karolina Sobecka. Concerning Circulations: Cybernetic Stewardship & Planetary Engineering. Akademie Schloss Solitude. Stuttgart. 2019. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4773
      • Jamie Allen. The Tuning of the World. The Prolonged Death of the Hippy. Basel. 2019. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34432
      • Jamie Allen und Karolina Sobecka. Conference of the Public: CoCreating Article 6. CoCreate programme. Basel. 2019. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34399
      • Bernhard Garnicnig und Jamie Allen. Workshop „Improvising Institutions“. Kunst an den Rändern. Muthesius Kunsthochschule. 2019. VerfĂźgbar unter: http://hdl.handle.net/11654/27343
      • Jamie Allen und Karolina Sobecka. This cycle, here, this one. Global Sustainability Series, University of Southern Florida, Patel Center for Global Solutions in Tampa. Tampa. 2019. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4780
      • Jamie Allen. Noisy Natures. im\Perfect Figurations in Nature, Culture and Technology. Berlin. 2019. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34433

      2018

      2017

      • Donato Ricci, Rebekka Kiesewetter, Marco Ferrari, Paolo Patelli, BenoĂŽt Verjat und Jamie Allen. Touching Shadows - Sensory Evidence & Material Witnessing: Day 1. Intensive Week at Sciences-Po ExpĂŠrimentation Arts et Politique. Paris. 2017. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4692
      • Jamie Allen. Echoes of Eco, Two Walks in Athens. documenta 14. Athen. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4666
      • continent und Jamie ALLEN. Fieldtalks, at the Anthropocene Campus Philadelphia. Fieldtalks at the Anthropocene Campus Philadelphia. Philadelphia. 2017. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34507
      • Jamie Allen und Martin Howse. Earth Observatory Array Actions. Interfaces. Athen. 2017. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34397
      • Maria Roszkowska , Nicolas Maigret und Jamie Allen. Functional Failures, Operative Fakes & Tenuous Techniques. Functional Failures, Operative Fakes & Tenuous Techniques. Basel. 2017. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34419
      • Moritz Greiner-Petter und Jamie Allen. Impossible Escapes. transmediale festival 2017. Berlin. 2017. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34483
      • Jamie Allen. Infrastructures of Art and Research. Dalhousie University, Computer Science Visiting Lecture Series (dal.ca). Halifax. 2017. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34429
      • Jamie Allen, Lucie Kolb und Bernhard Garnicnig. Premises, Promises. 10th SAR International Conference on Artistic Research. ZĂźrich. 2017. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34424
      • Sara Diamond und Jamie Allen. transmediale Marshall McLuhan Lecture by Sara Diamond: Anxious to see change…. Marshall McLuhan Lectures. Berlin. 2017. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34428
      • Jamie Allen.  The Forbidden, the Doubtful and the Moral. What Could be Known but Isn’t. Disruption Network Lab 2016 series. Berlin. 2016. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34418

      2016

      2015

      • Jamie Allen. Lie Machine. Group exhibition with Mushon Zer-Aviv and Zach Blas. BPLTC II: IDENTITY CONTROL. Eastern Bloc New Media; Interdisciplinary Art. Montreal. 5 November 2015. VerfĂźgbar unter: http://hdl.handle.net/11654/11728
      • Jamie Allen. F*ck The Future. 12th Annual Conference of the German Society of Design Theory and Research (DGTF). FH Potsdam. 16 Oktober 2015. VerfĂźgbar unter: http://hdl.handle.net/11654/11729
      • Jamie Allen und Shintaro Miyazaki. Recomposing the E-Meter. Eastern Bloc. Montreal. 2015. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4532

      2014

      2013

      2012

      2011

      2010

      • Will Schrimshaw und Jamie Allen. Resonator: A Larger Vibrational Continuum of Sound Art Practice. Sound Acts Conference. Denmark. 2010. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34411
      • Jamie Allen. Realtime Real Time. Technology and ‘the Death of Art History’, Computers and the History of Art (CHArt) 2010 Conference. London. 2010. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34412

      2009

      • Jamie Allen und Stas Sharifullin. Funky Fresh. CoCreate 2022. Basel. 2023.
      • Jamie Allen. Being Eaten. CoCreate 2022. Basel. 2022. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34448
      • Abbey Odunlami und Jamie Allen. Food Spectacles: Seeing Power, Eating Culture. HfG Inter­na­tional Labo­ra­tory Week 2020. Schwäbisch GmĂźnd. 2020. VerfĂźgbar unter: https://irf.fhnw.ch/handle/11654/34405
      • Rebekka Kiesewetter, Donato Ricci, BenoĂŽt Verjat, Paolo Patelli, Marco Ferrari und Jamie Allen. Touching Shadows - Sensory Evidence & Material Witnessing: Day 2. Intensive Week at Sciences-Po ExpĂŠrimentation Arts et Politique. Paris. 2017. VerfĂźgbar unter: https://doi.org/10.26041/fhnw-4693
      • European Forum for Advanced Practices
        2017 to 2023 (International artistic research special interest group lead by Irit Rogoff and Florian Schneider)
      • ECCENTRIC: Milano, IT
        2016 to present | Artist Representation
      • continent.: Berlin, DE
        2011 to present | Founder and Co-Editor (Experimental Publishing Collective)
      • UNIDEE Fondazione Pistoletto: Biella, IT
        2021 | Groundwork for Embedded Arts Practice Resident
      • SAVVY Contemporary & MAREBOX Creative Innovation Lab: Berlin, DE
        2020 | Climatology & Climatography of Care (MLab Award mLab Institute of Geography) Resident
      • Social Sciences and Humanities Research Council of Canada: Ontario, ON, CA
        2018 | Canada Research Chair in Infrastructure, Media & Communications
      • Banff Centre: Banff, CA
        2018 | Beyond Anthropocene (Banff Research in Culture (BRiC)) Resident
      • ADI Design Permanent Observatory & Design Index: Milano, IT
        2018 | Exhibition Reset Modernity! Award Winner
      • Kanton Basel-Stadt Abteilung Kultur: Basel, Basel-Stadt, CH
        2017 | Kulturpauschale Recipient
      • University of Colorado Boulder: CO, CO, US
        2016 | Media Archeology Lab Denver Fellowship Recipient
      • Trent University: Peterborough, Ontario, CA
        2016 | Catharine Parr Traill College Fellowship Recipient
      • Canada Council for the Arts: Ottawa, Ontario, CA
        2016 | Research Grant Recipient
      • Haus of Electronic Arts Basel and Hexagram-Concordia Montreal Mondiale Residencies: Basel, CH
        2014 to 2016 | Committee Member
      • VallensbĂŚk Kommune: VallensbĂŚk, DK
        2013 to 2016 | Board of Advisors (DIAS Digital Interactive Art Space)
      • Canada Council for the Arts: Ottawa, Ontario, CA
        2015 | Travel Grant Recipient
      • Danish Arts Foundation: Copenhagen, DK
        2014 | Arts Production Fund Recipient
      • Canada Council for the Arts: Ottawa, Ontario, CA
        2014 | Production Grant
      • Wellcome Trust: London, GB
        2013 | Wellcome Trust Grants for Artists Recipient
      • Korea Foundation: Seoul, KR
        2013 | Fellowship for Field Research Recipient
      • Danish Arts Foundation: Copenhagen, DK
        2013 | Publishing Award Recipient
      • Arts Research Digest: Newcastle upon Tyne, GB
        2010 to 2012 | Board of Advisors Member
      hgk_ixdm_team_EN

      Institute Experimental Design and Media Cultures (IXDM)

      FHNW University of Applied Sciences and Arts Northwestern Switzerland
      Basel Academy of Art and Design
      Institute Experimental Design and Media Cultures (IXDM), Highrise: D. 3.01

      Freilager-Platz 1

      CH - 4142 MĂźnchenstein near Basel

      Phone+41 61 228 40 22

      E-Mailinfo.ixdm.hgk@fhnw.ch